Friday, August 12, 2011
I've admired Kyoko Hamada's work for years, but only recently had the chance to work with her directly on some shoots for the WSJ.
Kyoko's work employs humor and intimacy with a determined and consistent delicacy. She has a light but unwavering touch. I hope you enjoy it as much as I do. Flies and bows is from a series, work in progress titled Pineapple Under the Bed, and The pink bed is a photograph of Kyoko's bed in a former apartment. About her own process, Kyoko writes:
"Sometimes I photograph what I find, but more often I photograph by reconstructing images based on from memories, thoughts and observations. This process ( or some kind of a habit ) of observing helped me to understand my new surroundings when at age fifteen my family moved from Japan to a small town in West Virginia. Without having any knowledge of English, I spent my time looking and privately digesting what was happening around me through my own internal dialogue."